This is the first-ever English translation of Daniele Barbaro's 1567 Italian translation of and commentary on Vitruvius's Ten Books of Architecture, an encyclopaedic treatment of science and technology whose influence extended far beyond its day. Intended to both interpret and expand upon the Vitruvian text, Barbaro's erudite commentary reflects his Aristotelian approach, particularly his fascination with the relationship between science and the arts. This treatise offers a window onto the architectural ideals of the 1500s, as well as then-current notions of philosophy, mathematics, music, astronomy, mechanics, and more. The text is accompanied by illustrations by the Renaissance architect Andrea Palladio and his contemporaries. Palladio's own Four Books on Architecture, published in 1570, was just one of many treatises on architecture that was inspired by the ideas contained here.An overview of Daniele Barbaro's thinking is presented in a foreword by Branko Mitrovic´. The collocation of Barbaro's treatise between those of Alberti and Palladio is addressed in a foreword by Robert Tavernor. Kim Williams provides a translator's note to orient the reader. The text of the translation is cross-referenced to both Barbaro's 1567 publication and standard divisions of Vitruvius. The volume includes a detailed index of subjects and an index of proper names.
This book contains selected papers based on talks given at the "Representation Theory, Number Theory, and Invariant Theory" conference held at Yale University from June 1 to June 5, 2015. The meeting and this resulting volume are in honor of Professor Roger Howe, on the occasion of his 70th birthday, whose work and insights have been deeply influential in the development of these fields. The speakers who contributed to this work include Roger Howe's doctoral students, Roger Howe himself, and other world renowned mathematicians. Topics covered include automorphic forms, invariant theory, representation theory of reductive groups over local fields, and related subjects.
The extraordinary range of cultural interests of renowned physicist David Speiser-including the sciences, art, architecture, music, and history of science-has inspired generations of later scientists to look beyond the boundaries of their own disciplines. In this book, seventeen scholars from various fields pay tribute to his multifaceted career, addressing topics as varied as music theory and the nuclear arms race.
The book aims to provide an overview of the state of the art on the mechanics of arches and masonry structures. It is addressed to an international audience, arising from the international context in which the Associazione Edoardo Benvenuto has carried out its activities in recent years, under the honorary presidency of Jacques Heyman. The book belongs to the collection Between Mechanics and Architecture, born in 1995 from the collaboration of several renowned scholars, including Edoardo Benvenuto (P. Radelet-de Grave, E. Benvenuto (eds.), Entre Mécanique et Architecture / Between Mechanics and Architecture, Birkhäuser, Basel 1995).
Every age and every culture has relied on the incorporation of mathematics in their works of architecture to imbue the built environment with meaning and order. Mathematics is also central to the production of architecture, to its methods of measurement, fabrication and analysis. This two-volume edited collection presents a detailed portrait of the ways in which two seemingly different disciplines are interconnected. Over almost 100 chapters it illustrates and examines the relationship between architecture and mathematics. Contributors of these chapters come from a wide range of disciplines and backgrounds: architects, mathematicians, historians, theoreticians, scientists and educators. Through this work, architecture may be seen and understood in a new light, by professionals as well as non-professionals.Volume II covers architecture from the Late Renaissance era, through Baroque, Ottoman, Enlightenment, Modern and contemporary styles and approaches. Key figures covered in this volume include Palladio, Michelangelo, Borromini, Sinan, Wren, Wright, Le Corbusier, Breuer, Niemeyer and Kahn. Mathematical themes which are considered include linear algebra, tiling and fractals and the geographic span of the volume's content includes works in the United States of America and Australia, in addition to those in Europe and Asia.